For a poet, I think I’m late to the nesting and writing stages of coronavirus grief. But thanks to a cat, perimenopause and Natalie Goldberg, I’m here now.
To put it bluntly, one of the ways the patriarchy persists is because women have been trained not to make anyone uncomfortable. As a writer (and this is a writing blog, after all), everything hinges on this idea. The truth often discomforts, and it matters who gets to speak it.
BY MY PRECISE HAIRCUT by CHERYL CLARKE / The poems make clear the pain inflicted by a number of atrocities (the slave trade, the assassination of Medgar Evers and Hurricane Katrina, for example) and also the humanity of those lost. Clarke’s work begs the question: if *this* America is the nation experienced by so many, isn’t it the America experienced by all?
GROUNDSPEED by EMILIA PHILLIPS / Our suffering truly is ordinary, and in treating it as such, Groundspeed mimics for us what life is actually like: one long road trip, hotel overnights and stops at home, all interspersed with encounters we have, dramas large and small, our own and everyone else’s.
HALF-HAZARD by KRISTEN TRACY / As likely as we are to fall down, break up, stumble or choose wrong — or, when the stakes are even higher, to die — we can’t despair about it all the time. Quite simply, these poems exist in a very familiar space: Being Human, Planet Earth.
I have no idea where the capacity to drop down into things went, or why it decided to return, but it *is* returning. The “read 100 poems in 12-ish months” effort is accelerating it, for sure. Coming back to the joyful, careful reading of poetry books — and taking time to make some personal notes about each — is helping me find my voice again.
THE SECOND O OF SORROW by SEAN THOMAS DOUGHERTY / As a huge fan of the prose poem, I found a lot in this collection to admire. The prose poems in The Second O of Sorrow both contain narratives within their margins and fail to contain them, which I mean as a compliment. The sentences and fragments in this book’s prose poems take us on wild rides and cover incredible distances.
MISERY ISLANDS by JANUARY GILL O’NEIL / There’s so much tenderness in this book, and that’s such a surprising response to these lived experiences (illness, betrayal, divorce, racism, etc.). I know there’s also rage. It’s not just backdrop for the poems but in a couple of instances it’s front/center. However, overall I receive these poems as tender blessings.