Carolee Bennett –> poet. artist. crankypants.
The review is a sketch. It delighted me, as I was already curious about inventive ways to respond to the books we read. I had written a nontraditional review to an essay collection a couple years back, but I had no idea what else was out there. With this blog post, I attempt to correct that.
My reading list is organized with the most recent on top so if, by chance, you stop by more than once for an update, you only have to scroll forever if you have forever to scroll! Note that I’ve extended the time frame to 12-ish months right out of the gate. My days of being so ambitious all the damn time are way behind me.
It’s not always easy to toot your own horn, but you must. You must. You must. You must. “These days,” said the old lady poet, “it’s one of the only ways to get your work out there.” You’re on social media scrolling and scrolling anyway, and you’re probably using it to praise other writers at least some of the time. Throw yourself a bone.
DIRTY BOMB by MARK NEELY / Our deep fried, Disney-fied, four-lane highwayed, strip-malled communities are ripe for poetry, and I love love love when that shit makes its way into the work.
OCULUS by SALLY WEN MAO / Sally Wen Mao skillfully teases out how technology infiltrates our world/physical beings and what it means to be alive in that confused (conflicted? commandeered?) space.
PARTIAL GENIUS by MARY BIDDINGER / Where prose may imply narrative, the content within each “stanzagraph” defies the narrative. By telling fragmented stories, these poems keep their distance somewhat. Like teenagers. The narrative kind of “ghosts” us in these poems; its delightful, intriguing and tantalizing.
Don’t call it a comeback, but here are my Poetry Goals for 2020, which include generative goals, grant applications, reading projects and visual art. The creative hunger has returned. Let’s eat all the sandwiches!
GARMENTS AGAINST WOMEN by ANNE BOYER / The opening poem seems to describe both degrees of suffering and our attachment to suffering, and in this way, the rest of the collection continues conversations in which the narrator argues both for and against herself. It’s partly how Boyer is able to implicate both structures (like capitalism) and the self at the same time: systems are so internalized as to be indistinguishable from our human nature.
SAVE OUR SHIP by BARBARA UNGAR / “Save Our Ship” is a cry for the planet. And not just environmentally. It’s an SOS for our species (dear God, what we inflict on one another in relationships and global conflicts).
OCEANIC by AIMEE NEZHUKUMATATHIL / I want to return to this book to study the “self portrait” poems more closely. Very often with persona poems, I’m too distracted by the device/set-up that I can’t get lost in the language/effect. But the persona poems in this makes the cloak invisible, and I’m curious how it’s achieved.